Since Megumi has taken a liking to creating random lists, I felt I had to have a random post of my own (especially with my lack of reviews lately). Seeing as I had no interesting lists to create, I decided to revive my little project of articles that seemingly never receive any follow ups. XD For this time, I’ll be giving my thoughts on Jpop scene up until the end of March (so, that would make this entry a bit early).
The ‘IT’ Factor
Whoever said Amuro Namie’s career was long gone, was horribly, horribly wrong. 2008 seems to be treating this popstar well, with her successes running across Rekochoku charts and ORICON. When I thought she finally brought her career back into the light with ‘Queen of Hip-Pop’ 2 years ago, I thought she would taper off. Of course, Amuro being Amuro, she proves me wrong by building more momentum up until the release of ‘PLAY’, and fooled me once again with the release of ’60s 70s 80s’. Sounds like it will be the year of Amuro Namie once again.
Making History
Jero has been the talk of J-music scene since his debut not too long ago. At first glance, we all know why he gets attention in Japan, but when he sings, he proves there’s more to him than just his looks. He has a voice that will give anybody a run for their money, and he’s using it to re-invent a traditional style, in his own way. With his massive success on ORICON, I wonder what else he’ll come up with before the year ends.
Still In Command
With her struggles to dominate the singles chart, it seems as if Utada Hikaru would be quickly losing her fanbase and hold over the music community, but she quickly silences the doubts with her latest album, ‘HEART STATION’. While her singles may not necessarily be fairing well, her album sales remain strong and dominating, showing off her musical prowess in the process. Besides, if you wonder where her singles sales went, you might want to check out the online charts.
Tsuki’s Top 3 Anticipated Events (2nd Quarter)
1) YUI (I LOVED YESTERDAY) – Some might say it’s too soon for her 3rd studio album, but nobody can argue over her secure place as one of the current top female artists.
2) Sakamoto Maaya (Triangler) – She has a lot of buzz around her, due to the Macross tie-in for casual fans, but for more hardcore fans, it’s all about the return of Kanno Yoko. Kanno has brought the best out of Sakamoto in the past, and we’re expecting nothing less than that for this collaboration.
3) Tamaki Nami (Don’t Stay) – Mostly a personal thing, but it’s been nearly 2 years since her last studio album, and I’m curious over what she’ll decide to put out, seeing as she’s been trying new styles lately.
– Written by Tsuki